It’s still The Simpsons, but it’s The Simpsons unlike anyone’s seen it before. Recreation of a scene from Season 10 episode, 'Simpsons Bible Stories. By using various stock footage clips, Highton was able to recreate the opening credits scene completely. A medieval tapestry shows Les Flanders taking away the couch of Les Simpsons, only for Les Simpsons to regain the couch (and Flanders, in pieces) in battle the 'Created By' and 'Developed By' credits were part of the tapestry KABF04 The couch scene is on a painting, with the inscription, 'Ceci n'est pas une couch gag. The timelessness of The Simpsons becomes not just a curse or a great boon to Fox merchandising, but a chance to seek out the most fundamental aspects of ourselves and our relationships, with humor, horror, and heartbreak all rolled into one. Wikisimpsons has a Discord server Click here for your invite Join to talk about the wiki, Simpsons and Tapped Out news, or just to talk to other users.
#SIMPSONS COUCH SCENE SERIES#
It is accompanied by 'The Simpsons Theme'.The first episode to use this introduction was the series second episode 'Bart the Genius'. The Simpsons opening sequence is the title sequence of the American animated television series The Simpsons. These words could describe much of Hertzfeldt’s work, but the fact that he could accomplish so much in just two minutes of screen time before the episode even properly begins is a testament to him as an artist. The Simpsons title card as of February 15, 2009. The artist Banksy directed the couch gag of the opening credits for the new episode of the Simpsons on Sunday night. The more you meditate upon this couch gag, the more it becomes a certified tearjerker.
To be trapped within millennia of increasingly atomized moments with someone, and still to love them, and to say you love them, is at once terrifying, absurd, and genuinely, heartbreakingly sweet. It is a simplification of the character of Marge, yes, but one that feels true, not only to the character, but to reality. She reaches awkwardly toward him, slapping his face a few times before managing to stroke his face and say, sweetly, “Still love you, Ho-mar.” The simplicity of the statement amidst all the chaos, distortion, and ugliness of this future iteration of the series is deeply touching, almost elemental in its beauty. In the couch gag, Homer at one point declaims, “I have memories,” and we are shown a scene of him and Marge as disembodied heads on stilts.
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